Honored to receive this recognition from the Society of Composers and Lyricists for my Emmy Nomination on DARK/WEB. Ive been member of the Society of Composers & Lyricists for over ten years! Its wonderful to receive this from my professional peers in the Film & Television Music business. Here’s to many more!
Happy to Announce that I am a Featured endorsed Artist with SEQUENTIAL synthesizers. I’m a huge fan of Dave Smith and Sequential Instruments, and their synths are a major component of my composing life and musical workflow. Its a real honor to be a part of their amazing musical lineage.. New artist interview featuring the Prophet Rev2: Jonathan Hartman is a musical polymath, an accomplished composer drawing upon the traditions of film music, jazz, synthesis and 20th century minimalism to create compelling scores for film and television. He’s gained a reputation for his absolute commitment to communicating the heart of character and story to musically express the beautiful, the arcane and the profound. We chatted with Jonathan on how he uses the Prophet Rev2 in his music: www.sequential.com/jonathan-hartman Sequential Artist Spotlight: https://www.instagram.com/p/CD_5ISkA8uT/
My Music for ANGELS OF DEATH is now available worldwide! The Soundtrack for Games Workshop’s WARHAMMER 40,000 series is now on their website, as well as iTunes. This has been an absolutely amazing launch for this soundtrack. ANGELS OF DEATH premiered on the iTunes charts in a huge way! As of June 23, 2020 on the Launch: Worldwide: The #40 Album worldwide on launch, and moved to #33 worldwide on day two. USA: Broke into the top hundred at #79 and moved to #34 day two! UK: The #11 Album on Launch and the #3 Album in the entire country day two! Canada: #11 Album on Launch Australia: #15 Album on Launch Brazil: #13 Album on Launch Germany: #39 Album on Launch This has been an amazing project, the first of many musical explorations into the Warhammer universe with the Warhammer Storyforge Media division. 31 Tracks of Epic Action, Adventure and brooding atmospheric Synthwave…. Its available on Games Workshop’s worldwide stores, as well as Apple iTunes https://www.games-workshop.com/en-US/Home?_requestid=3752409 US & UK iTunes Links: https://music.apple.com/…/warhammer-40-000-angel…/1518604326 https://music.apple.com/…/warhammer-40-000-angel…/1518604326
I’m incredibly honored to announce that I have been nominated for an Emmy Award for my original score for the series DARK/WEB on Amazon Prime. I was nominated for Outstanding Music Direction and Composition for a Drama or Digital Drama Series. It ‘s a real milestone in my musical career even being considered, and I’m humbled to be considered by all of my peers in the Television Academy’s Music Branch. In addition to my nomination for my score, this series has garnered 7 Emmy Nominations for Amazon Prime. Just amazing! Here are the Emmy nominations for Dark/Web: Outstanding Digital Drama Series: Michael Nardelli, Tim Nardelli, Mario Miscione, Allison Vanore Outstanding Directing Team for a Digital Drama Series: Mario Miscione, Michael Nardelli, Roxy Shih Outstanding Main Title and Graphic Design for a Live-Action Program: Justin Martinez, Tim Nardelli, Mario Miscione, Michael Nardelli Outstanding Light Direction for a Drama or Digital Drama Series: Vasiliki Constantinou, Lars Lindstrom Outstanding Music Direction and Composition for a Drama or Digital Drama Series: Jonathan Hartman Outstanding Guest Performer in a Digital Drama Series: Rene Heger Outstanding Guest Performer in a Digital Drama Series: Graham Sibley I worked closely throughout this show with my producers[…]
WARHAMMER IDENT I scored the company and media production logo “Ident” for Games Workshop’s massive WARHAMMER gaming and science fiction brand. Games Workshop, is a British manufacturer of miniature wargames, based in Nottingham, England. They are a billion dollar market valued company, as well as a top performing member of the FTSE250 index. As a global science fiction and fantasy brand, they have millions of dedicated, passionate fans. I’m one of them. In fact, I’ve been a lifelong fan all things WARHAMMER: their games, their miniatures, their novels, and their incredible world building. Over the years, I’ve become friends with many of the creative geniuses at Games Workshop: sculptors, painters, designers, authors. So it was an incredible honor when Games Workshop asked me to score their new company logo, to be the SOUND of their public identity. This was a massive undertaking, with creative and technical challenges. On the creative side, there was the daunting task of tackling the question of ‘What Is Warhammer?’, as well as the long history of the brand, and trying to distil that into a clear, concise essence. A single musical gesture of just 16 seconds that encapsulates all of it. 40 years of Games[…]
Happy to announce that my latest series DARK/WEB will be released on AMAZON PRIME on July 19th, 2019. DARK/WEB is an exploration into the underbelly of the internet, the dark corners where things lurk. It’s a unique series in a lot ways, including that it’s both an anthology series as well as a narrative linear series. It has an amazing main storyline with anthology segments that branch off, all intertwined and related to the main story. My original score features a large number of classic analogue synths, and is heavily influenced by classic John Carpenter films. “Dark/Web” was created by Michael and Tim Nardelli through their Felt Films company along with Mario Miscione, who teamed on the horror movie “Circle.” The series will be comprised of eight anthology segments, each dealing with the dangers of our totally connected world, tied together by a serialized narrative. The cast is pretty talented as the show stars “Sibongile Mlambo (‘Netflix’s Lost in Space‘), Nicholas Brendan (‘Buffy’), Clare Kramer (‘Buffy’), Robert Davi (‘The Goonies’), Lana McKissack (‘Transformers’), Michael Nardelli (‘Circle’), Noemi Gonzalez (‘Paranormal Activity’).” Hayley Marie Norman, Dora Madison, Griffin Freeman, Cole Bernstein, Duane Shepard Sr. and Amin El Gamal have boarded forthcoming anthology thriller “Dark/Web,” Variety has learned[…]
Proud to announce the release of THE CHAPERONE! I composed the original 1920s style songs for this amazing film. Written, directed &produced by the team from DOWNTON ABBEY, starring Haley Lu Richardson and Elizabeth McGovern (whom I had the privilege of working with at the recording sessions). Released in select theaters across the US, and will be featured on PBS as their first original PBS Masterpiece film. The Process.. Composing these songs was a unique opportunity and challenge, to dig into the sound of the 1920s and recreate an authentic feel for the era. I spent about 6 weeks constantly listening to 1920s music and refamiliarizing myself with a lot of material I grew listening to. I composed about a dozen original pieces for the film, and we recorded them at NRG studios in North Hollywood. I had an amazing team, including recording & mix engineer Adam Schmidt, music editor Lisa Arpino, and my music supervisor Andy Ross. We recorded 26 musicians in a variety of band configurations, from small duos to ragtime sextets to full big bands. Elizabeth McGovern attended the sessions, as well as producer Victoria Hill and it a pleasure spending[…]
Incredibly happy to announce the first trailer for THE CHAPERONE, starring Elizabeth McGovern and Haley Lu Richardson. I had the unique pleasure and task of composing the original 1920s songs for this film. Lots of ragtime, vaudeville, big bands… Tremendous Fun! I worked with Elizabeth McGovern, producer Victoria Hill and music supervisor Andy Ross for Michael Engler’s beautifully directed film. Look for it in international release soon, on the BBC, and on PBS as a Masterpiece Film release.
Happy to announce my NEW studio! Upgrading, growing with a larger new space for 2019. Still in the early, but every day brings progress. We painted the walls (HIGH ceilings), installed new flooring, replaced doors with soundproof ones, and are currently in the process of building and installing acoustic treatments for better sound, and in some cases, soundproofing areas. Hoping to move in by mid December with full music making for January. Stay tuned!
We just received our first review of TALE OF TWO SISTERS and its great! Steve Barton at Brainwaves has reviewed it- link included below. Also very pleased to receive a shoutout re: my score, particularly right after Traci Lords fantastic performance. Cemetery Tales Presents: A Tale of Two Sisters (Movie Review) by Steve Barton, Sept 27, 2018 Starring Traci Lords, Bruce Davison, Michael Broderick, Ros Gentle, Monte Markham Directed by Chris Roe Movies and television. We obsessively engage in these media because they allow us a few moments to escape. To take part in an illusion of sorts as a means to distract us from the perils of reality. Our love affair with motion pictures began decades ago, and some of the earliest TV programs depicting thought-provoking genre-related content remain some of the very best examples of storytelling. Rod Serling’s “The Twilight Zone” will always have a home in many fans’ hearts as its storytelling and technique are every bit as powerful as they were when it premiered back in 1959. It’s cliche to say, “They just don’t make them like they used to,” but they just don’t… or do they? When it comes to Chris Roe’s directorial debut, Cemetery[…]
I had the pleasure of working with Chris Roe years ago on my first feature THE EMPLOYER. A man of real style and substance, I was always impressed by him and his vision. So when he approached me to score Cemetery Tales: A Tale of Two Sisters, and I jumped at the opportunity. Black and white, with a retro feel of the late 1940s inspired by Sunset Blvd, Hitchcock and classic Bernard Hermann film scores, this was a rare chance to stretch my wings and compose something hauntingly beautiful. We recorded a number of live players over two days of sessions, and will be posting a preview of the original score SOON. The pilot premieres at the Stiges Film Festival this Fall. Look for it on television soon…… Chris Roe (Bereave, The Employer), Writer/Director, Exec Producer. Matt O’Neill, producer Starring Traci Lords (Excision, Blade), Bruce Davison ( Xmen, The Fosters), Michael Broderick (American Crime Story, NCIS), Ros Gentle (American Crime Story) Set in 1949, a Hollywood star mourns the loss of her beloved sister on the one year anniversary of her death. When the truth of her murder is revealed, a surprise visitor returns. Time is running out. Will justice be served? Tick tock tick tock…
It’s official- I’m now a member of the Television Academy. When I first moved to Los Angeles years ago, I didn’t know what to expect, or if I’d even work when I arrived. I’m grateful for the career I have and it’s a genuine honor to have been accepted, a real milestone in my musical journey in this business. More to come, and I look forward to working with and participating in the academy for years to come.
I was approached to compose, arrange, and record a collection of original jazz songs for the upcoming feature film THE CHAPERONE, starring Elizabeth McGovern. It’s a beautiful film, set in the 1920’s, and the project provided an unique opportunity to work in a genre and era you rarely encounter in motion pictures. It was a joy to return to the music of that decade and come up with something that felt authentic and original for the period. I approached the project with the idea of creating the mythical “B Sides” to albums that could have existed. I put together an amazing team, and together we recorded a variety of ensembles, ranging from small dixieland style groups to full big bands to resemble the sound and instrumentation of the era. The all star band included instrumentation like tuba (instead of bass) and banjo (instead of guitar). Recorded over a long day at NRG Studios in Los Angeles, CA. Elizabeth McGovern, star and producer of the film, attended the recordings; it was a real honor and joy to work with her on these songs. THE CHAPERONE Michael Engler, director. Elizabeth McGovern, Victoria Hill, Andrew Mann, Gary Hamilton, Julian Fellowes, producers. Original Songs by Jonathan Hartman.[…]
After a successful first run on the SYFY network here in the United States, my latest series SUPERSTITION is now on NETFLIX in over 180 countries worldwide! The series centers on the Hastings family, owners of the only funeral home in the mysterious town of La Rochelle, Georgia. The family also acts as the keepers of the town’s dark secrets and history. Known for its haunted houses, elevated graveyards, odd townsfolk and rich history of unusual phenomena, the town is also a “landing patch” for the world’s darkest manifestations of fear, guided into the world by an ancient, mysterious malefactor. Starring Mario Van Peebles, Brad James, Robinne Lee, W Earl Brown, Demetria McKenny
Check out the premiere of the SUPERSTITION, the new series I scored! This FRIDAY, OCT 20th at 10pm on SYFY! Starring Mario Van Peebles, Brad James, Robinne Lee, W Earl Brown, Demetria McKenny
STRING SESSION, MARCH 2017 I recently had the opportunity to record here at my studio for a number of upcoming projects. While I can’t go into detail (yet) on the projects, I thought it would be fun to show you some pictures of our space here in Los Angeles, and a bit of the process. I was recording live strings for two projects. Here’s a view of the scoring stage from our control booth just prior to recording: My contractor, Nicole Garcia, brought in some amazing players. We started on the first musical cues with a string quintet comprised of 2 Violins, 2 Violas and a Cellist: Adam Schmidt engineered and mixed the sessions. One of the most talented people I know and a guy whom I trust will always make my music sound great! Adam worked for years over at Hans Zimmer’s Remote Control Productions and has the experience in making musical cues sound beautiful and epic Here is a brief sample clip of some of the music I recorded:
Proud to announce that I recently scored RIDESHARE, an anthology episode for the greater series DARK/WEB. RIDESHARE was written & directed by Boman Modine, my good friend and talented director whom I’ve worked with before. The thriller anthology series is the work of visionary producers Michael Nardelli, Mario Miscione, and Tim Nardelli at Felt Films. The episode is an intensely scary and unsettling look into the future of technology run amok. I look forward to sharing more about the story and characters when we get closer to air dates……
Last week I finished composing IN THE BLOOD, my new concert work which will premiere at the 30th Anniversary NOW Music Festival at Capital University. I’ve been busy composing for another project, so I had to put this on the shelf for a week while I finished my other writing obligations. After a few hours of proofreading, it was ready to send off to my music preparation team for cleanup, copy work, and then printed Scores and Parts. I just received the complete set of Scores and Parts and they look fantastic. Beautifully bound 11×17 laser printed scores, along with oversized parts. Really happy with how they came out. Next step, shipping them off to the conservatory for rehearsals and the concert work’s premiere in February.
I recently finished composing the original score for THE LAST SPARROW, a fairy tale type film set in China in the late 50s. Directed by Luke Fisher and Ada Wong, and produced by Curt Chatham, the score features intimate strings, custom synth programming, and specialty instruments like the Chinese Erhu. The film will premiere in Los Angeles in the spring of 2017.
I’ve been working on IN THE BLOOD, finding time to compose in between my film scoring schedule demands. It’s been a lot of fun and creatively satisfying to have a project that exists outside of picture, I’ve been scoring for so long I kind of forgot that feeling of a blank page and complete freedom to fill it. I lived most of musical life that way for decades, it’s been entertaining to take the time to compose something of my own volition again. After moving to the digital sphere, I began putting my sketches into my sequencer and working on the piece as a whole. I find myself marking out key moments that I’ve composed, and working to those moments, figuring out how to get from one to another is the most interesting part of the composing “puzzle”. After writing the main ensemble, it became clear to me that I wanted to emphasize a jazz drumset within the piece, as a way to tie the minimalist and jazz elements together. In the course of preparing for this I watched a number of interviews with Steve Reich, and I was struck by how much Jazz influenced his work, especially[…]
I’ve begun composing my new concert work, IN THE BLOOD, for the 30th NOW Music Festival at Capital University. I spent a week thinking about my early influences and listening to a tremendous amount of music. After considering it, I’ve decided to write for an ensemble comprised of 10 strings (3 first violins, 2 second violins, 2 violas, 2 celli, 1 bass), 8 woodwinds (2 flutes, 2 clarinets, 2 oboes, 2 bass clarinets or bassoons), and a percussion group comprised of Piano, Vibraphone, 2 Marimbas, Celesta, Bass Drum, and a Jazz Drumset. I’m going to write a piece that focuses on phase shift, but also attempts to incorporate my take on modern jazz harmony. I envision this as an opening work within the context of a greater series, which will eventually feature this concept along with jazz improvisation. This is something I haven’t heard done before, and it’s been sitting in my head for years begging to come out. Initial sketches are underway and I’ll be moving the entire project into the digital realm soon. i like to compose a fair amount of music on paper, and work out themes, harmonic ideas there before moving to my sequencer, which[…]
I had the pleasure of scoring JR Hepburn’s action short KILLING KHAN earlier this year. The film is now complete and just had it’s premiere screening in Boston this evening. Congrats to JR and Andrew Adler on their film and all of its success. It heads out to festivals, as well as private screenings/meetings with Hollywood execs next for a possible feature film incarnation of the story. Thank you for the amazing opportunity to score your film, looking forward to working with you again in 2017!
I had the pleasure of scoring YOU HAVE ARRIVED earlier this year with director Justin Phillip. YOU HAVE ARRIVED is a distopic look into people’s over-reliance in technology, and how it can be used against them. Justin wrote and directed this short film, as well as plays the unnerving hotel owner with dark thoughts in mind for the travelers. The film just had it’s LA premiere screening and will be heading out to festivals across the US. A feature film version is in development for 2017.
I have been asked to compose an original concert work for the prestigious 30th Annual NOW Music Festival held at Capital University in Columbus, OH. This music festival has always promoted cutting edge American composers. I’m honored to have been approached and asked to compose an original piece for the festival. A long time ago, I attended the Conservatory at Capital University for the first two years of my undergraduate education. To this day I still fondly think of it as my Alma Mater, the place where I started the path towards my current profession. While I was there I studied with amazing musicians and educators, including Michael Cox, Stan Smith, and Dr. Rocky Reuter. As a composer I owe a tremendous debt of gratitude to Rocky; he taught me much of the musical foundation that I work from to this day. I never knew how thorough my musical training was until I went to other schools, and then worked professionally. It was a huge strength and asset to have studied at Capital. When you look back at early influences, and how they inform your current work, it’s interesting to see the path that led to my becoming a film[…]
I recently finished composing the original score to YOU HAVE ARRIVED, a disturbing horror short film by writer/actor/director Justin Phillip. I had the pleasure of meeting Justin on BEYOND DOUBT, a project I scored last year. Justin played a police officer who had been cleared in a controversial shooting, then was brought to testify against a fellow officer in court. We was great, and in the course of the promotion of that film we got to know one another. When Justin came to me with YOU HAVE ARRIVED, I knew I wanted to be a part of it. It delves into the creepy undercurrent of technology, and how people find themselves completely dependent upon it, rather than trusting their own eyes and judgement. This short is the concept for a full feature film, expected to go into production in 2017.
Sept 2016 THIS LAST LONELY PLACE has been released in the United States. Indican Pictures has distributed the film, and it is now available on demand with cable providers, as well as on Apple Itunes. Very proud to be involved in this dark neonoir thriller, exec produced by the Humphrey Bogart Estate. You can purchase the film here: https://itunes.apple.com/us/movie/this-last-lonely-place/id1133088439?ign-mpt=uo%3D4 The Trailer is available here: https://trailers.apple.com/trailers/independent/this-last-lonely-place/
I recently worked with Lee Dreyfuss on his comedy short film, MINNOW POND. Minnow Pond is a parody of the popular series “Shark Tank”, and working with Lee was an opportunity to score some comedy music, but also some fun takes on reality television in general. I’ve known Lee for awhile now, however this was the first time we’d worked together- as a writer/director he’s got great instincts. This is also his first appearance as an actor onscreen! Here is a fun, overly cheesy track from the short:
I’ve been asked to score the upcoming project THE LAST SPARROW, a fairy tale type film set in China in the late 50s. It’s a beautifully shot film, fairly long for a short, about 18 minutes. The project is produced by Curt Chatham and directed by Luke Fischer and Ada Wong as part of the Liberty Lab for Film, a mentorship program that connects young filmmakers with established producers, writers, directors and television showrunners in Hollywood.
I’m very happy to announce that THIS LAST LONELY PLACE will be in limited theaters this Friday, August 12th. A fill nationwide VOD release will happen in early September. If you are in Los Angeles, you can watch the film this Friday at the Laemmlee’s Santa Monica theater. You can purchase tickets here: http://www.laemmle.com/films/41003
BEYOND DOUBT is the short film that is the “Little Engine That Could”. Following a string of performances in multiple prestigious film festivals, and winning numerous awards (including Best Cinematography), BEYOND DOUBT is now an official selection of the Santa Monica International Film Festival. This is a great festival, and an amazing opportunity to see this film on a BIG screen in a classic theater in Los Angeles. Scheduled to take place on Saturday July 23, 2016 at the Aero theatre in Santa Monica, the Santa Monica International Film Festival is fantastic bastion for sharing Independent films to the wider community. If anyone anyone curious who hasn’t yet seen the project on the big screen of a commercial theatre, this is certainly the festival to consider. Tickets can be purchased here: http://www.smff.org/#!tickets/c9tr Looking forward to seeing this film again on July 23rd!